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Sure, the swift and painless resolution that brings One Hour With You to its happy moment of closure, this time with Jeanette and Maurice both addressing their female and male counterparts in the audience, is a little too convenient and tidy to be fully believable, but Lubitsch is far from being any kind of a realist when it comes to his movies.

writes about how the film deals with marriage, noting: Without getting all mopey about it though, just as important as forgiveness and grace is the ability to keep a sense of humor and a light touch when it comes to managing the affairs of our hearts.

But in the end, none of this backstairs imbroglio is evident on the screen.

They continue to delight, forever aloof from the vulgarity of the commonplace.

Similarly, Andre doesn't suspect his pal's advances.

Lubitsch, who was head of production at Paramount at the time, had too much on his plate, and was busy directing The Man I Killed also released in 1932 , and farmed out the direction of the film to the up-and-coming Cukor.

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Colette, oblivious to Mitzi's intentions, assumes her husband's infidelities are focused elsewhere.

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For many years they couldn't be seen as the Hays Office refused them further releases.

Thanks for taking my request, Danny.

A husband and wife love having sex together.